adesse versions started out as a re-edit series, with humble ambitions of releasing a couple of white labels, nothing more, nothing less. it kept growing with both original productions and remixes appearing. it didn t take long until tracks such as pressured, modal and justified appeared on charts and the records found their way to such esteemed people as derrick may, larry heard, gilles peterson and of course mad mats & tooli. since then it s been an ongoing theme with kevin gormans music, yes that s his real name. always well received and played by many.

we believe this ep is as fun for the feet as it is for the ears and everything in between. with nods to influences past and present, scott has provided us all with four tracks that will stand-out and turn heads. it s time to jack.

front the roots of i records comes the very first and original release of somore i refuse (what you want). the vocals resonated by damon trueitt as his bridge of -what you want- has gone on to strike chords in people s hearts almost 20 years later. this first release came with ny deep remixes by wayne gardiner (best known for his work on strictly rhythm & nervous records). it also featured production work by the original filthy rich. released in 1996, the record went on to spawn a list of uk influenced remixes.

one sided, vinyl only. fresh off the release of his monster selling todd terje remixes, justin van der volgen is back on his own my rules imprint. sketch 2 is filled with some koo koo brooklyn beats made for people to cut angles, jerk joints, and chop shapes. simple and direct to turn heads and move feet.

after retiring from the jamaican police force arthur duke reid established his treasure isle liquor store and sound system in pink lane kingston and was crowned the undisputed king of sound and blues in 1956, 57 and in 58. the duke then moved into record production and after relocating the store to 33 bond street, he then built a recording studio on top of his new premises in 1966. according to the musicians and singers the wooden construction of the treasure isle recording studio gave the music a distinctive warmth and richness and with resident engineer byron baron/smithy smith at the controls, the sound of a bond street recording was immediately recognisable.
but the studio one sound is different to the treasure isle sound! the people have to know. - bunny striker lee
a glittering selection of strikers treasure isle recordings are featured on this compilation. so please sit back and enjoy the set!

over two decades ago, roland leesker would play and produce with artists that are legends today. slaving away with ricardo villalobos in his living room, creating loops with john selway at new york s satellite basement, working as a light jockey for joe jam and marc spoon, cooking the heat together with cajmere and ata at the wild pitch club, or running various record shops around the globe. since then, he’s invested much of his time, knowledge, heart and soul into electronic music to further the scene and support the art. now, he’s returned to the studio with his production partner philipp maier also known as sante to bring you a new instant classic, ‘my warehouse’ in a way, you could say ‘my warehouse’ has been in the making for 25 years. in that time roland leesker has studied the music, gathering inspiration from the sounds, people and experiences along the way and putting them all together to create his perfect sound. ‘my warehouse’ is a bass-laden house killer, with intense kicks and a gritty, in-your-face bassline.

cascine lovingly reissues the 1997 debut album by house of 909 - an evocative deep house gem. the limited vinyl release includes a download code.

set to smash the summer and beyond, mele debuts his single, ambience on redlights highly acclaimed label, lobster boy records. soaring with a soulful vocal and an indelible drum groove, that takes us on a journey through house and carnival heritage, splicing in his trademark sound. with a residency on the diplo and friends, radio 1 show and support for the track from gorgon city, disclosure, tiga, jackmaster, skream, redlight and annie mac, mele has created a soon-to-be sought after dance formula, and exercised the production of a track that cannot fail to make people move

after seducing people around the world with the future classic into the sun on local talks oneoffs label and footwork anthems on don t believe released on studio barnhus it s now time to present daybreak or as tooli described the track the first time he heard it -it s like listening to deep burnt part 2-. perhaps it was the jetlag (tooli arrived in nyc the very same day henry sent it) or the fact that it s a straight forward deep track with lush strings and no fuzz included. it s up to you to decide. for remix duties label boss tooli was brave enough to have a go himself and recorded some piano chords and strings. on the flip is where the real magic happens - parkway records head honcho mark seven, considered by many as a dj s dj and mighty fine producer, delivers a remix that takes you on a journey and a half. it s deep, got tons of percussions and lures you into afro territory. if body and soul was still around this one would peak on a sunday afternoon.

surface is proud to present this vinyl release. label boss halo teams up with chile s, francisco allendes best know for his contributions on heavy hitting label like desolat and cadenza. as a huge bonus we ve got the very hot italian duo, proudly people on for a remix.

label mainstay seb zito provides the * ragg on ep* on the ever growing fuse label.
* run along*, the eps vinyl only track is a superbly quirky roller and shows a side of the artist we ve yet to see with a melancholic and thoughtful streak imbuing proceedings.
* raggs* is a stripped back roller, flecks of affected vocals poke through giving the track a tripped out feel.
* those people* round things off nicely, with its chunky beats and skippy percussion bringing to mind the more classic side of tech house from years gone by.

a triple treat for all fans of klangkultur schallplatten, featuring these fine releases:
- kks002: darius syrossian - 10 miles from lima
- kks003: chris james - kind of heavy
- kks004: h2 - just bounce

nice price deal !!! what happens far away from pointless party spots, boring student clubs, werder bremen and the smelly station forecourt full of piss, in this beautiful, grey city next to the river? more than before, we checked the musical output of the town, listened to recordings from friends and dug the archive. back to the origin of our intention – having a platform for all the artists who surround us in our dynamic environment and structures. for the five year anniversary of zckr records: a journey through warehouses, rehearsal rooms, workshops and studios of people who create the art we appreciate and who let us look to the future with a great sense of enthusiasm.

180g vinyl only. >pourquoi pas< is the french for >why not<. why not such a title. why should we not break the boundaries of established genres of electronic music in an orgasm of modern psychedelic experimentations and grooves, and come back to the roots of our sexy house music all in one single record. why shouldn t we have the mole on the remix duty. why wouldn t this record be dedicated to our brothers refugees, we are one people. pourquoi pas!

front left represents a very special corner in a very special spot on this planet. every week the front left people gather together to celebrate techno music. techno is what brings us together and what makes us family to one another. we rejoice listening to it, produce it, talk about it, share it and mainly dance to it. it is incredible how one physical spot creates so such magic and human connection. this label brings the productions of the front left people to the world. in the first release, you will find elad magdasi, a heavy dancer and an emotional producer. his productions are wide-ranged and loaded with a true rave spirit, combining an acid-line treatment and his melodic point of view. in the last two years elad s productions turned to the techno side, and now he feels it s time to finally let his music out. gathering knowledge and figuring out his style brought him to this point. his love for raving is what keeps his mojo going and brings the inspiration to his life. joining the first release is matrixxman (charlie duff), the talented producer who s been shaking dance floor with his hit -protocol- for already 2 years and now releasing his debut album on ghostly. not surprisingly, the connection between elad and matrixxman was also formed on the front left. the first release combines a slick collection of sounds.

limited to 50 copies. beautiful crafted artwork 1lp (mini lp)

ltd warehouse find, two fantastic disco banger !! big
in november 2013, a mysterious 12 inch hit stores in very limited supply, and became a cult classic amongst those lucky enough to pick one up
despite its winter release, international smark endured through to last summer and became an underground anthem in the beach bars and under the stars. discogs prices rose accordingly and its still very much at the top of many wants lists
* international smark* (translation: international taste) opens with an 8bit techno tinged waltz before quickly floating into dreamy synth chords and staccato guitar licks.
featuring an infectious cross dialect narrative (swedish/finish) provided by international songstress tigerlight, the track comes across like a meeting between metro area and abba - two acts payfone cite as big inspirations.
* people* on the flip explores an electro-disco aesthetic bouncing along into the night with a heavily pitch affected vocal and angular bassline that drives an incessant groove

after the success of the first tijn01 with djebali, the eponymous tijn series continues with 4 originals from groovy french sounds to solid techno.

the second jungle wonz release on trax, again with harry dennis gorgeous vocals, was sub-licensed to both new york label vendetta and breakout in the uk (both subsidiaries of a&m), with some fine remixes by former area resident justin strauss. -this was one of the first house songs i ever heard when i was like 14- recalls felix da housecat. -marshall jefferson has been a huge influence on all my basslines. people usually think that basslines come from 80 s pop bands but they came from marshall jefferson. marshall jefferson is probably the best house producer of all time for this period.-

amazing! straight up hypnotic bangers. original dorcas sound for the people. vinyl only.

super rhythm trax throws you a curveball with unreleased miami bass treats from legendary old skool crew cha-os aka jock d (cut it up def) and lon alonzo (dynamix ii) and the uks finest, bass junkie (breakin) & dexorcist (control tower) aka bassing guild. the 12 inch includes a brand new version of the 1990 classic, *this is too much bass* as well as a new collaboration between the two and an exclusive straight up electro banger in *b-boyonik*. this one is limited and strictly for the bass heads among you.

two pieces of snarling filter house from nyc heavyweights robbie busch aka dj mcboing boing - record dealer to the stars, digger extraordinaire, & dj of sweaty underground parties around the world, and josh dunn - one part of the sorely missed 100 limousines, and one third of the holy trinity that put on new york s legendary foreal people party. for two guys so deeply immersed in the rich history of urban dance music, from the blues & gospel through deep disco, soul, chicago and detroit sounds, you could be forgiven for expecting to hear a rich homage to the sounds of the past. instead we get the future ghost of ron hardy playing the record backwards on a janky turntable with a quarter for a counterweight and fucking shit up in every conceivable way. these two are chiefly concerned with moving things forward, having some fun, and taking no prisoners along the way. golf channel every time !

the people behind the amazing mareh festival in brasil (the southern hemisphere s answer to electric elephant), drop yet more top drawer music as their label journey continues to gain strength. set in the lush settings of bahia where day blends into night and sun into moon, mareh continues to attract some first class artists from around the world to release on their imprint. the second release kicks off with glasgow based production wizard the revenge letting loose a late night groove that takes a blissful string sample and then works it for the dance floor. it s top stuff from the man with the roaring grooves. and rumours have it that the revenge himself will be headlining at this year s legendary nye event in bahia alongside tim sweeney, pete herbert & dicky trisco. next up is berlin based disco and house aficionado eddie c who drops an uber cool, cut up disco chugger that is likely to work your sunset and early morning sets to the max. mareh favourite pete herbert then steps up to the controls and delivers an upbeat, balearic dance floor banger that hits all the right notes and then hits them again. you can almost smell the hierbas on this one! last but not least, tokyo based englishman max essa delivers an electronic ode to late night dancing and early morning dips as he joins the dots between the tokyo underground and the fresh bahian surf. wonderful stuff. so mareh really are out to pull in a truly global sound to their label outing with glasgow, berlin, london, ibiza and tokyo all represented as well as their spiritual homelands sao paulo, and of course the place where it all happens each new year... bahia.

from newcastle to london via the midlands comes tough luck records, a label ran by four friends - chris cue, rebel, twon and anna wall. pressing vinyl as well as releasing digitally, their debut release was named single of the month by mixmag (uk) in august 2013 and like a fine wine the label has been getting better with age. with the follow up releases also selling out, the label has featured music from ed davenport and the jaydes (bloody mary & attan). the last release which featured rising star elliot adamson, picked up dj support from people including ten walls, breach, dan curtain and adam shelton to name but a few. this new release features two original tracks from jack wickham who has fast been carving out a name for himself with releases on one records, drumma and get physical music, with forthcoming releases already signed to visionquest and air london. remixes coming from nikola gala and jonny lawrence. pressing on blue vinyl.

for those who dont know about mg gost, he is an extremely talented producer/musician residing in novi sad, serbia. a member of the well respected hain teny collective, mg gost is always creating that dope ish. *waking walk* is the debut lp from mg gost and features an all-star emcee lineup, such as g-force, tableek, jack jones aka audessey, cadence and many more. the album also features 2 bonus remixes, courtesy of dirty hairy and slone.

das prignitzkombinat ist zurueck mit einem neuen release ihres labels zum eigenen club, dem aggregat. nach dem sehr guten ersten release auf aggregat concept series mit dem schwerpunkt techno, rückt mit dieser veroeffentlichung house in den vordergrund. funk fetisch liefert hier mit dieser ep zwei feine tracks seiner definition von house ab. der track >gotta get down< zeigt deutlich seine einfluesse aus den verschiedenen genres des klassischen housesounds, typische skippy beats, jazzy chords und discofilter loops bilden hier das house. bei >black is beautiful< behaelt funk fetisch diesen charakter, allerdings wirkt alles insgesamt moderner. groovige beats und eine tiefe bassline bilden das bett für atmosphaerische warme pads, akzentuierte chords und verspielte melodielaeufe. james johnstons (no matter what) remix zu >gotta get down< geht direkt in die beine, straight, fokussiert und sehr kraftvoller house, der zeigt, dass der mann aus glasgow sein handwerk aeußerst gut versteht. danke james! p.s.: this ep is dedicated to all the lovely people from the diamond s kitchen in northallerton, uk

mit seinem debütalbum »no home« schlägt sascha braemer das nächste große kapitel seiner bewegten karriere auf. »no home« erzählt seine geschichte und wird so zum soundtrack seines lebens. das album folgt einer nahezu filmischen dramaturgie. beginnend mit dem ersten stück nimmt es einen mit auf eine reise, die melancholisch-nachdenkliche momente im wechsel mit euphorischen bereithält. der track »hilde« ist seiner neu geborenen tochter gewidmet, die sein glück komplettiert hat.

everyones expression is unique, interesting and a collaborated product of lifes experiences, so is the music, the art and the vision. we carry this essence in everything that is techfui. our label brings family, friends and fresh talents together, and is built on a strong relationship around the people and their talents. we stay true to our roots, traditions and culture, always forward thinking and cutting edge.
during the development of the label direction and ideology evolving from the existing brand, we carefully picked our first few family members. the artists were picked to fit the ideology in both musical and personal character.
pawas is someone we have admired for a while for his work ethic and talent. his multicultural background was a nice mix into the equation as we push to bring together and collaborate with artists from various regions and influences.

ready for some modern acid? after he has been traveling through club land for a considerable amount of time with his extreme pumping live performances, etcher left issued his first black gold sound imprint in 2014. o.k. we have to admit that his excellent first release polytom dusk (released at abstract acid) convinced us right away. therefore we are very pleased to present with corrosive days a marvelous acid-bass 4-tracker.
pressing on translucent, yellow marbled vinyl.

after big success of the first classic series by k alexi shelby, technorama is back with another great package. we started the classic series featuring tracks that we love, bought, played out and which we have the feeling more people should know about them. for this second, it is a great honor for us to welcome such a living legend, a pioneer from the detroit house scene terrence parker and the chicago veteran ellery cowles. this project includes two secrets cuts and timeless moments of detroit house & chicago techno.
on a side: *welcome to southfield*, a massive and very demand house instrumental track from terrence parker. released in 1997 on studio k7! records and issue from his *detroit after dark* lp.
on b side: *madball*, previously released in 1998 on dafunk! records, our favorite secret weapons, a real masterpiece of chicago jackin techno by ellery cowles (black nation, djax up beats, synewave).

a: christopher rau_people see: dérive is de retour! and time always waits for this man: christopher rau, dérive’s infamous impresario who offers you a delightful floating track on the a-side, its tricky and nonetheless very danceable rythmn should encounter you on the dancefloors in a spring-like mood. b: christopher rau_sekt é ron: on the back-side christopher shows his other musical side: dark, tripping, meditating. but what does the title mean? probably he doesn’t know either. however, its cryptic style fits the inscrutable shape of the track. well, you’ll hear from us at the latest next year again – approximately! – according to the gentle beat of dérive …

tension has the goal to reach the maximum level of sonic enlightenment of the sound. the most important thing of all is the sound, not the words, not the background, and nor even the people. tension is the former project of one single man named emmanuel. (100101 / start of heading).

here are some plain and simple cuts by yours truly credit 00 that push just the right buttons to make people move. the tracks were made exclusively for his live set but they are too good to keep them back. without superfluous frills these four bangers scream party in every note but as usual with credit 00 theres also a melancholic side somewhere behind those tricky beats. house is a feeling!

yoruba records is happy to release this dance floor ready ep by label head osunlade. stretching across a range of styles theres something for everyone in this release, an absolute must for every djs bag. the ep opens up with the title track, what pho. a relaxing jam driven by a powerful sounding grand piano and complimented by shakers, the added backing percussion and subtle bird chirps lend well to the creation of this tracks rainforest-esque mystique. next up is the deep, almost jazzy track – jus anuda groove. the rolling bass line and four to the floor beat will get you moving – and keep you there - as osunlade reminds us that this is just another groove. opening up the b-side is schavanna, a funky, guitar-driven track whose pulsating bass line and friendly but muffled vocals will keep people moving on the floor. finally, the ep closes with the waiting game, a hypnotic, tribal-learning track with a foot-stomping beat, colored with the seductive vocals of rainy payne, its hard to tell which is more captivating, the groove itself or the story line she unfolds.

belgian label with focus on the deeper flavors of house music from already established artists and new upcoming talent.
the first vinyl release is a fact and its an ep by plastik people recordings label boss marc cotterell with remixes by four walls (kolourltd, handsoff, traxx underground) and khillaudio (gents & dandys, melodymathics, two house).
enjoy this first 140gr sexy limited black vinyl run :)

marvin & guy was born in 2011 from the children of two different musical generations with a shared knowledge of how to make people dance. influenced by legendary djs such as ron hardy, larry levan or tee scott, their sound is firmly rooted in disco but keeps evolving with each release. in their debut ep for hivern, they keep expanding their palette with three tracks that push the boundaries between the disco culture and a techno spirit

every week end im going to concrete to listen the artists who are playing there. i m talking about music with them , and do the same with people sharing the dancefloor with me. i collect all these inputs and ideas, all this energy, to define what concrete music dna is. because of this variety of people, tastes, and point of views, the label can t be reduced to one and only genre. to make the music more easy to apprehend, we are splitting the label in 3 parts, 3 differents moods, or more precisely, 3 times of the day... concrete music 7am contains the kind of music you could easily listen in our club at dawn, when the light is blue and the sun starts to filter through the mi-closed shutters. minimalistic, freaky or mellow, but always deep. concrete 3pm is definetly turned to house music. 3pm is the time when smiles are on every face, when the same vibe, the same energy, is going through every stomach in the room, and the crowd becomes one same entity. concrete music 4am aims for the more techno and black side of the music we love. at 4am, fists are pumping the air, or heads are down and eyes closed. it s not about how hard or fast the kickdrum beats, but how thick the atmosphere is.

more late 70s westcoast yachtpop you can almost dance to. delivered on heavyweight 180 gram double vinyl in gatefold sleeve

concept record alert! fairlights by fort romeau is a tribute to the - technically minded readers might raise an eyebrow - australian computer musical instrument that people like peter gabriel, herbie hancock or kate bush fell in love with during the late 1970s/early 1980s. anyways, if fort romeaus current album is like painting with oil, fairlights is like drawing with permanent marker- to quote the man himself. all based on the word saku, you will experience an epic journey evolving around heart-breaking dance-floor romanticism, jaw-breaking beat exercises, life-affirming ambient digressions, and a general feeling of spring fever.

here one of his big hitters let me go feat. elif biçer gets remixed by deep house legend fred p, as well as leo cubanero and deadbeat. new york s soul people boss and underground talent fred p goes rst and unsurprisingly his track is spiritual and way below the surface, with emotive female vocal coos and skipping drums all laced up in mesmerising and soulful pads. then comes leo cubanero, who has been producing on label like festplatten and nachtfrequent since 2003, and he ips the track into a liquid tech house affair with libidinous vocals and freaky synths and pads that add as spooky air to proceedings. lastly, montrealer deadbeat lays down a sublime minimal dub remix that is gooey and lazy, elastic and seductive in all the right ways, especially when the sexy vocal comes in

nozinja fusioniert traditionelle folklore, tsonga-disco, kwaito und südafrikanischen house zu einem innovativen, afrofuturistischen ravesound, der mit einer revolutionären tanzbewegung namens shangaan electro einhergeht. sein debütalbum -nozinja lodge-, gesegnet mit einem einzigartigen soul, atmet den geist der shangaan people, ihre sprache und musikgeschichte. es ist ein belebender ausdruck zukunftsgewandter dancemusik, mit dem sich nozinja an vorderster front der visionäre der digitalen diaspora des 21. jahrhunderts rund um unseren planeten einreiht

the ep has already been supported by dj qu, nina kraviz, ben ufo, palms trax, nick hoppner, aybee and more... bass cadet records returns with a strong ep from its founders arcarsenal.

robot ranch records 007 does not relate to james bond but ugur project from istanbul has truly the licence for killertracks. the ep includes four tracks, a grabbing quartet of electronic timelessness, wich can rarely be found in such concentrated form within the ocean of today releases. one definitely will hear, that ugur project is living his music with each breath. this, considering his huge number of releases also with other labels, makes this ep to something special.

as the sun rises a little higher in the sky, above machine emerge from their winter hibernation with the first fruits of their impeccably assembled new release schedule. jonny nash takes on jose manuel s summer wind and, much like the superb melody as truth releases he s penned, sets out a widescreen canvas of tone and melody, as piano and vocal punctuate the sonic plain. twisted tongue take on maricopa s recently unveilied we could maybe feat. nicola kramer. and the result sounds like loose ends operating as in-house band at a speakeasy orbiting a distant nebula the b side has seconds another day beautifully reconfigured for sunrise moments by slo, while b2 has an original slo moment bombora which, much like it s namesake is a gentle balearic breaker washing over the sonic reef... bona fide bottled sunshine people - above machine are back !

eddy romero & frink were digging in the rock formations beneath earth s crust and have quarried a track which was forged into the newest schallbox-vinyl straight by the pressure of the continental plates! schallbox018 is an expedition through a scarcely lit tunnel, down into a mysterious and cryptic underworld. the tracks pull fiction and element unfold a maelstrom that takes us ever deeper down into a dark abyss. pull fiction in m.ins remix version is a percussive club monster that gives over to sparsely flickering lights revealing the way onwards, while the mystical voices in steve cole & ronald christophs remix of element take us back into the daylight again.
played & supported by: someone else / david keno / marc depulse / mihai popoviciu / sven dohse / stacey pullen / paco osuna / marco fender / riva starr / jesse rose / forest people / animal trainer / ramon tapia / dj w!ld / hermanez / hanne & lore / deepshape / beatamines / filtertypen / ante perry /kiko martínez / björn wilke / dj hildegard / marc poppcke / helmut dubnitzky

the tracks here are in the brutalist machine house vein and the source material for * we come together* (by mazi as asp and john griffin as awoke) will be familiar to devotees of roots chicago house. the brodanse brothers * sleep won t come* is remixed by audio soul project and awoke. chicago based multi-instrumentalist jonn wallen contributes the dense * aesthete* under pseudonym *by gordon gartrelle*. * we get together* is a tribute to the 90s house that inspired us to start making music years ago. people reminisce about how things used to be better, but you must breath in the present. we keep with us those hallowed bones but let pain and suffering fade into the mist. we let memories fade in the depths of our neural web so as not to be paralyzed by the burden of sentiment. we forget to stay sane.

180g, black double vinyl lp version of *run*

more ultra rare disco-soul from the sunshine state! phillip wright only dropped 1 45 single under his own name on tk discos tiny dash label in 1976. long sought after & coveted by lovers of rare disco & modern soul *keep her happy* has never been reissued in its original 45 format, until now! often fetching around the $200 mark for a used copy this sublime slice of funk deserves to be heard by a wider audience, sadly phillip never achieved the commercial success of his sister betty but perhaps now this obscure single of his will make people hit the dancefloor in 2015! repressed, remastered & re-released in its original dinner 45 rpm format with all original dash records artwork intact in conjunction with joe stone / tk disco, miami fl.